I am an interdisciplinary multimedia artist, primarily making geometric object-paintings. I completed a PhD in 2011 and taught Sculpture and Drawing at the Tasmanian College of the Arts over several years. In 2018, I curated an exhibition across two venues in Hobart titled ‘Beyond the Field (still)’ to commemorate 50 years since ‘The Field’ exhibition at the NGV.
I title projects and write them on the wall. The titles for the past three years have been “sight-reading”, “vertical montage” and “tinged by gravity”. The title gives me an anchor, even if I move away from it during the process of making the artworks. I tend to work in a series of three to five works, often deviating to make singular works in between.
I concern myself with things such as colour, tone, weight, shape, form, balance, scale, opacity, pitch, luminescence, structure, texture, space, darkness, depth, density, grids, lines, mass, gravity, potential, chance, dissonance, light, hue, tone and rhythm.
“…it is not about something, it is something itself” — Samuel Beckett
drawn out feeling (2008)
EDUCATION
2011 PhD (Research) TSA/UTAS
2004 MFA (Research) TSA/UTAS
1999 BFA with first class Honours (Sculpture), HF, TSA/UTAS
SOLO EXHIBITIONS
2024 The appearance of things: West End Art Space, Melbourne
2022 Holding Pattern: TACIT Galleries, Melbourne
2017 The Unnameable Sound of a Bell: Ellipsis Gallery, Langford120, Melbourne
2009 Tilted Constant: a site-referenced installation at Pigment Gallery, Melbourne
2009 OMG: a site-referenced installation at Entrepot Gallery, Hobart
2007 Electric Love: Bett Gallery, Hobart
2004 to gaze and to glance: Kelly’s Garden, Hobart
2001 Drawing the Line: a solo installation at Foyer café, Hobart
1997 Impulse: Fine Arts Gallery, University of Tasmania, Hobart
GROUP EXHIBITIONS (curated)
2025 PICES show: Berninneit, Cowes Cultural Centre, Phillip Island
2024 Women’s Abstract Art Biennale, West End Art Space, Melbourne
2024 PICES show: Berninneit, Cowes Cultural Centre, Phillip Island
2023 Linden postcard show: Linden New Art, Melbourne
2023 Artbox: TACIT Gallery, Melbourne
2023 Finalist Omnia Art Prize
2023 PICES pop-up show: Ramada Resort, Cowes, Phillip Island
2023 Substrate 2023: TACIT Galleries, Melbourne
2022 Of colour and light: West End Art Space, Melbourne Oct-Nov 2022
2021 Commission for new Marriot Luxury Hotel, Murray Street, Hobart
2021 Abstraction 21 Charles Nodrum Gallery, Melbourne (on now)
2021 Finalist Nillumbik Contemporary Art Prize
2021 Mayday: Stephen McLaughlan Gallery, Melbourne. Curated by Stephen Wickham
2020 Finalist Tasmanian Women's Art Prize
2020 Of colour and light: West End Art Space, Melbourne
2019 Winner of the Lloyd Rees Art Prize
2019 Celebrate 25: Stephen McLaughlan Gallery, Melbourne. Curated by Stephen Wickham.
2018 Curator of Beyond the Field (still) : Contemporary Art Tasmania and Moonah Arts Centre, Hobart. Seventeen artists and associated forums and events.
2018 Finalist Hutchins Art Prize
2018 Abstraction18 : Langford120, Melbourne. Curators : Wilma Tabacco and Stephen Wickham
2018 Timbre : Colville Gallery, Hobart
2018 Edge: Langford120, Melbourne. Curator: Irene Barberis
2017 The Unnameable Sound of a Bell: Ellipsis Gallery, Langford120, Melbourne
2017 Semi-finalist Doug Moran National Portrait Prize
2015 Mad women in the attic: Plimsol Gallery, Hobart. Curators: Mary Scott and Maria Kunda
2015 Standback: MAC, Moonah, Hobart. Curator: Josie Hurst
2014 AAANZ GEOcritical Exhibition, Sawtooth ARI, Launceston.Curator: Nat Holtsbaum
2014 SNO 101: SNO, Marrickville, Sydney. Curator: Susan Andrews
2013 The Z Factor: Plimsol Gallery, Hobart. Curator: Meg Keating
2012 Frames of Reference: Langford120, Melbourne. Curator: Wilma Tabacco
2010 Online(fishing): Plimsoll Gallery, Hobart. Curator: John Vella
2010 Conceptual: CAST Gallery, Hobart. Curator: Colin Langridge
2009 Hobart City Art Prize: finalist exhibition at the Tasmanian Museum and Art Gallery
2009 Chance Encounters: South Australian School of Art Gallery, Adelaide (see below)
2009 Chance Encounters: Ten Days on the Island Festival, Long Gallery, Hobart. Curators: Maria Kunda and Mary Knights
2009 Tasmania 1:100000 Mapping the Island: Ten Days on the Island Festival, Hobart. Curators: Penny Carey-Wells and Dianne Perndt
2009 Geometric Nature: Devonport Regional Art Gallery, Tasmania. Curator: Lucy Hawthorne
2008 Ephemeral Art at the Invisible Lodge: Freycinet National Park, Tasmania (in collaboration with Sculpture by the Sea). Curators: Peter Timms, Dick Bett and David Handley
2008 Sweet Observations of an Interior World: Devonport Regional Art Gallery, Tasmania. Curator: Jane Stewart
2007 Revelation: Port Arthur Project (Ten Days on the Island Festival): Port Arthur Historic Site, Tasmania. Curators: Noel Frankham and Julia Clark
2006 Ephemeral Art at the Invisible Lodge: Freycinet National Park, Tasmania (in collaboration with Sculpture by the Sea). Curators: Bridget Arkless, Dick Bett and David Handley
2005 Resonator: Long Gallery, Hobart. Curator: Derek Hart
2005 Vehicle: CAST Gallery, Hobart. Curator: Felix Ratcliff
2005 Hwy#2:10 Days on the Island (Forth). Curator: Jane Deeth
2005 Acidophilus: 10 Days on the Island, TMAG Hobart. Curator: John Vella
2001 Sculpture by the Sea: Tasman Peninsula, Tasmania (part of Ten Days on the Island Festival). Curators: David Handley and Dick Bett
2001 Island Postcards: State Library of Tasmania, Hobart (part of Ten Days on the Island Festival). Curators: Penny Carey-Wells and Di Perdnt
1999 Sculpture by the Sea: Bondi Beach, Sydney. Curator: David Handley
1998 Sculpture by the Sea: Tasman Peninsula, Tasmania. Curator: David Handley
GROUP EXHIBITIONS (other)
2019 Self-portrait show: Colville Gallery, Hobart.
2019 Works on paper: Colville Gallery, Hobart
2018 Timbre : Colville Gallery, Hobart
2018 Curator of Beyond the Field (still) : Contemporary Art Tasmania and the Moonah Arts Center
2012 Sculpture Now: Colville Gallery, Hobart.
2008 Delivery: Plimsol Gallery, Tasmanian School of Art, Hobart
2006 Object: 5 Tasmanian Sculptors: Devonport Regional Gallery, Tasmania
2005 Against the wall: Inflight Gallery, Hobart, a collaboration with Ona Kaukenas
2003 Hutchins Art Prize: Finalist, Long Gallery, Hobart
2003 Poimena Art Award: Finalist, Poimena Gallery, Launceston
2003 Linden Postcard Show: Linden Gallery, Melbourne
2001 Halfway there: (current postgraduate student show at the University of Tasmania) Plimsol Gallery, Hobart
1999 Hatched: PICA, W.A.
AWARDS RECEIVED
2024 Winner of “Best Design” Colour and Light Biennale, West End Art Space
2019 Winner of the Lloyd Rees Art Prize for the best depiction of light in the landscape
2013 Tasmanian recipient of the Qantas Foundation Art Award
2008 Australian Postgraduate Award (APA) for PhD research
1999 Sculpture by the Sea Sydney (awarded exhibition at Access Gallery, Sydney)
1999 University of Tasmania Honours Scholarship
1998 Winner Sculpture by the Sea / Roaring Beach, Tasmania: $5000 Blundstone Sculpture Award
1998 Moonah Arts Centre Artist in Residence Grant (with Brigita Ozolins)
COLLECTIONS
Tasmanian Museum and Art Gallery
Justin Art House Museum
Flack Studio
Art Duo
Private collectors
PUBLICATIONS
2011 Sculpture by the Sea: the first fifteen years 1997-2011
BIBLIOGRAPHY
MacDonald, John: Ephemeral Art at the Invisible Lodge: Freycinet National Park, Tasmania, The Sydney Morning Herald March 2008
Watkins, Philip: Electric Love, Bett Gallery, Hobart, Artlink, vol 27 no4 2007
Andersch, Joerg: Electric Love, Bett Gallery Hobart, The Mercury August 18 2007
Andersch, Joerg: Object: 5 Tasmanian Sculptors, The Mercury May 13 2006
Timms, Peter: On being (almost) invisible, Art Monthly Australia April 2006, pp26-28
Downes, Briony: Acidophilus, Eyeline Number 57, Winter 2005, p.52
Rankin-Reid, Jane: Garden finally comes alive with creativity, The Mercury, October 2004
Rankin-Reid, Jane: Taking Risks, The Mercury, October 21, 2001
Dysart, Dinah: Sculpture by the Sea, Art and Australia VOL 38 NO 1 2000, pp 63-64
Scarlett, Ken: Down by the Sea, World Sculpture News, Winter 1999, pp 33-35
Pos, Margaretta: Sculptors give shape to rugged coastline, The Mercury, Friday November 13, 1998
Lamb, Eve: It’s interesting, it reaches out to people – and yes, it is art, The Mercury, Thursday June 25, 1998
Andersch, Joerg: Installed for the glow of magic, The Saturday Mercury, September 15, 1997
beyond the field (2024)